Trouser and skirt hems
Bring the shoes you wear most often. Mark the fall while standing naturally, then walk and turn before committing to a finished length.
Seam Allowance starts with the way you actually wear a garment. Sit in the trousers, reach for a shelf in the jacket, walk a few steps in the shoes you brought. A pin placed at that moment is worth more than a guess from a hanger.
Prepare my noteTry the jacket with the shirt you normally wear underneath. One extra layer can change how the sleeve falls and how freely the elbow bends. Point to the cuff while your arm is relaxed, then reach forwards. If the pulling begins at the shoulder rather than at the cuff, that observation changes the conversation about what to alter.
At the worktable we look inside before promising a result. An existing buttonhole, lining attachment or worn fold can affect the finish. Agree whether preserving the original detail matters more than obtaining a particular length. At collection, bring the shirt again. Repeating the same fitting conditions makes the finished result much easier to judge fairly.
Point to the side while wearing the garment. A photograph in a mirror can reverse the clue, and a jacket turned inside out can cause the same confusion at the worktable. Make the note about the wearer rather than the person looking at the fitting.
If two changes are proposed, ask which one affects the other. Changing where a waistband sits alters the apparent length of a trouser leg. Settle the fit at the waist before judging the final hem. At collection repeat the movement that first made you notice the problem.
At collection, start with the reason you brought the garment in. If the problem was a catching sleeve, putting both arms down by your sides will tell you very little. Repeat the movement, give the fabric a moment to settle and look at the inside finish as well as the outside line.
Bring the shoes you wear most often. Mark the fall while standing naturally, then walk and turn before committing to a finished length.
We inspect the material inside the seam, pockets and lining. What can be let out depends on cloth that is physically present.
A zip must suit the garment’s weight and construction. We inspect the teeth, slider and attachment before quoting a replacement.
A seam that has opened is a different job from cloth that has worn thin. The inside of the garment often tells the more useful part of the story.
Cuffs, buttons and vents influence how the sleeve can be shortened. Bend your arm during the fitting to check where the cuff settles.
Choose the option you want to discuss and add a detail in your own words. Note which side of the garment you mean when worn. The text file is yours to keep or share later.
Mark the side from the wearer’s point of view and choose the movement that brings the problem out. Use the tag in the fitting room before a length or seam position is finalised.
Carry this result into my noteBring it clean for intake and fitting. Specialist cleaning and dyeing are separate from the alteration work.
Wear, weave and the position of damage affect the finish. We discuss the likely appearance after examining the cloth.
Matching materials depend on availability. Check the proposed replacement before approving the work.
Labour is priced after inspection. Replacement fasteners and matching materials are separate; additional work requires approval.
The estimate depends on construction, cloth and workshop capacity. An event date or express completion is binding only when the arrangements have been confirmed.
Saving a working note does not place an order, take payment or confirm a booking.
The write a fitting tag tool runs on your device. Your selections and the words you put in your working note stay in the page until you download them or close it. Seam Allowance does not receive a copy from this form.
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